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Checklist of objects in the exhibition Imperial Augsburg: Renaissance Prints and Drawings, 1475-1540

Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540
Frances Lehman Loeb Art Center, Vassar College
September 19 – December 14, 2014

EXHIBITION CHECKLIST
Organization of the checklist corresponds to the sections of the exhibition. Dimensions entail height before width before depth.

Introduction

Hartmann Schedel (author) (German, 1440 - 1514),
Michael Wolgemut (German, 1434 - 1519), Wilhelm Pleydenwurff (German, ca. 1458 - 1494), Albrecht Dürer (German, 1471 - 1528),
Anonymous Artist, Anton Koberger (printer) (German, ca. 1445 - 1513)
The City of Augsburg, from Liber Chronicarum (Nuremberg Chronicle), published 1493
1,809 woodcuts printed from 645 different blocks, with Latin text on laid paper
Page size: 43.9 x 30.6 cm (17 5/16 x 12 1/16 in.) Book: 46.5 x 33.2 x 8.5 cm (18 5/16 x 13 1/16 x 3 3/8 in.)
National Gallery of Art, Washington, Gift of Dian Woodner, 2008.38.13
(substitution for cat. 1)

Conrad Peutinger (author) (German, 1465 - 1547)
Page from Inscriptiones Vetustae Roman, Augsburg, 1520, by I. Schoeffer
Book; woodcut on laid paper
Library of Congress, Washington, Rare Book and Special Collections Division, Rosenwald Collection
(cat. 3)

German, 15th Century (Augsburg?)
Map of the World, ca. 1480
Woodcut on laid paper
Image: 41.3 x 29.2 cm (16 1/4 x 11 1/2 in.); sheet: 38.4 x 28.8 cm (15 1/8 x 11 5/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 6)

Late Medieval Piety and the Reformation in Augsburg

German, 15th Century (Augsburg)
The Virgin and Child in a Glory with an Indulgence and a Prayer, ca.  1470/1480
Woodcut on laid paper in brown, hand-colored in red lake, yellow, and green
Sheet (trimmed to image): 16.5 x 12.6 cm (6 1/2 x 4 15/16 in.)
National Gallery of Art, Washington, Rosenwald Collection, 1943
(cat. 4)

German, 15th Century (Augsburg), Gunther Zainer (printer) (German)
Christ on the Cross with Pope Pius II, ca. 1475-1478
Woodcut with typographic text in two columns on laid paper
Overall: 36 x 26 cm (14 3/16 x 10 1/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 5)

Augsburg, 15th Century (Master of 1477?)
Crucifixion, ca. 1475-1482
Wood block
53.0 x 36.5 x 2.5 (20 7/8 x 14 3/8 x 1 in.)
Lent by The Metropolitan Museum of Art, New York, Gift of M. Feltenstein, 2006
(cat. 7)

German, 15th Century (Augsburg)
The Virgin in a Wreath of Roses, 1490/1500
Hand-colored woodcut in red lake, green, and gray-yellow on laid paper
Diameter (trimmed within plate mark): 17.8 cm (7 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 8)

Hans Burgkmair I (German, 1473 - 1531)
Pilgrims at a Wayside Shrine, 1508
Woodcut on laid paper
Sheet: 18.9 x 14 cm (7 7/16 x 5 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 9)

Urs Graf (Swiss, ca. 1485 - 1527/1529)
The Virgin with Saint Ulrich and Saint Afra [recto], ca. 1511
Hand-colored woodcut in green, blue, gray, orange, and yellow on laid paper
Image: 26 x 16.6 cm (10 1/4 x 6 9/16 in.); sheet: 32.3 x 22 cm (12 11/16 x 8 11/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 10)

Hans Weiditz, II (German, 1500 or before - ca. 1536)
Christ on the Mount of Olives, ca. 1522
Woodcut from 2 blocks on laid paper
Block: 29.2 x 44 cm (11 1/2 x 17 5/16 in.); Sheet: 29.9 x 44.8 cm (11 3/4 x 17 5/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 11)

Hans Weiditz, II (German, 1500 or before - ca. 1536)
The Man of Sorrows Standing, 1522
Chiaroscuro woodcut printed from 2 blocks: black line block and brown tone block; on laid paper
Sheet (trimmed to image): 29.9 x 22.7 cm (11 3/4 x 8 15/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 12)

Hans Burgkmair I (German, 1473 - 1531)

Crucifixion, 1527
Woodcut in 8 blocks on 8 sheets
Image: 95.9 x 67.1 cm (37 3/4 x 26 3/8 in.)
Lent by the Metropolitan Museum of Art, Purchase, Gifts from Mrs. Gradner Cassatt,
Mrs. Francis Ormond, Bessie Potter Vonnoh, William Benton, Donald Silve, William M. Ivins Jr., and Mrs. Harry Payne Whitney, and other gifts, and funds, by exchange, 1997
(cat. 13)

Innovation in Augsburg: Color Printing and Etching

German, 15th Century (Augsburg), Erhard Ratdolt (printer) (German, 1447 - 1528)
Printer's Device for Erhard Ratdolt, ca. 1492
Woodcut in black and red on laid paper
Sheet: 19 x 14 cm (7 1/2 x 5 1/2 in.)
Collection of Andrew Robison
(cat. 14)

German, 15th Century (Augsburg), Erhard Ratdolt (printer) (German, 1447 - 1528)
Christ on the Cross with the Virgin and Saint John, 1491
Color woodcut printed in black, red, blue, brown, olive, and yellow, and hand-colored in blue, pinkish beige, and some touches of red; on vellum
Image: 21.8 x 13.7 cm (8 9/16 x 5 3/8 in.)
Sheet: 29.4 x 19.9 cm (11 9/16 x 7 13/16 in.)
National Gallery of Art, Washington, Gift of Lt. Col. and Mrs. William K. Konze, 2009
(cat. 15)

Augsburg, 15th Century (Attributed to Hans Burgkmair I?) (German, 1473 - 1531)
Christ on the Cross with the Virgin and Saint John, 1493
Color woodcut printed in black, red, blue, brown, and olive green on vellum, hand-colored in blue, pinkish beige, with touches of red; on vellum
Image: 8 3/4 x 5 1/2 in. (22.2 x 14 cm)
Sheet: 31.2 x 21 cm (12 5/16 x 8 1/4 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund
(cat. 16)

Hans Burgkmair I (German, 1473 - 1531), Erhard Ratdolt (printer) (German, 1447 - 1528)
Saint Valentine, Saint Stephen, and Saint Maximilian, 1494 and 1498
Color woodcut printed in black, red, yellow, blue, and olive green on laid paper
Image: 26.7 x 16.8 cm (10 1/2 x 6 5/8 in.); sheet: 35 x 23.5 cm (13 3/4 x 9 1/4)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 17)

Augsburg, 16th Century (Daniel Hopfer?) (German, ca. 1470 - 1536)
Franciscan Pelbartus of Temesvar, in a Garden, ca. 1500
White line woodcut on laid paper
Sheet: 24.5 x 17.3 cm (9 5/8 x 6 13/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 18)

Hans Burgkmair I (German, 1473 - 1531), Erhard Ratdolt (printer) (German, 1447 - 1528)
Saint Valentine, Saint Stephen, and Saint Maximilian, 1503 and 1505
Color woodcut printed in black and red; hand-colored with stencils in yellow, brown, and green; hand-touched in red, pink, gray, and gray-brown; on laid paper
Image: 26.7 x 16.8 cm (10 1/2 x 6 5/8 in.)
Andrea Woodner Collection
(cat. 19)

Hans Burgkmair I (German, 1473 - 1531), Erhard Ratdolt (printer) (German, 1447 - 1528)
Christ on The Cross with The Virgin and Saint John, from Missale Pataviense, published Augsburg, 1505
Book; hand-colored woodcut
Page: 34.8 x 22.8 cm (13 11/16 x 9 in.)
National Gallery of Art, Washington, Anonymous Gift, 2011
(cat. 20)

Hans Burgkmair I (German, 1473 - 1531)
The Coat of Arms of Wigeleus von Fröschel, Bishop of Passau, 1503
Hand-colored woodcut in green, red, yellow, and pink on laid paper
Block: 18.2 x 13 cm (7 3/16 x 5 1/8 in.); sheet: 18.7 x 13.2 cm (7 3/8 x 5 3/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 21)

Daniel Hopfer (German, ca. 1470 - 1536)
The Sudarium Held by Two Angels
Etching (iron) with open bite or sulphur tint for tone, on laid paper
Platemark: 8.5 x 12.3 cm (3 13/16 x 5 1/4 in.); Sheet: 9.7 x 13.4 cm (3 3/8 x 4 13/16 in.)
Collection of Andrew Robison
(cat. 22)

Daniel Hopfer (German, ca. 1470 - 1536)
Triumphal Altar with Stages in the Life of Christ, 1518
Etching (iron) with open biting, plate bitten twice, from 2 plates on 2 joined sheets of laid paper
Sheet (joined): 62.5 x 21.6 cm (24 5/8 x 8 1/2 in.) Sheet (top): 32 x 17.3 cm (12 5/8 x 6 13/16 in.)
Sheet (bottom): 30.7 x 21.6 cm (12 1/16 x 8 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 23)

Daniel Hopfer (German, ca. 1470 - 1536)
The Large Choir Stalls with Christ Blessing the Virgin
Etching (iron) with open biting, plate bitten twice, from 3 plates
Sheet (joined): 29.2 x 44 cm (11/1/2 x 17 5/16 in.)
Lent by The Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1928
(cat. 24)

Daniel Hopfer (German, ca. 1470 - 1536)
The Crucified Christ in a Decorated Niche
Etching (iron) on laid paper
Platemark: 22.4 x 14.9 cm (8 13/16 x 5 7/8 in.); Sheet: 22.7 x 15.2 cm (8 15/16 x 6 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 25)

Daniel Hopfer (German, ca. 1470 - 1536)
The Virgin Mary Taking Leave of Christ, ca. 1520
Etching (iron), plate bitten twice, on laid paper
29.2 x 22 cm (11 1/2 x 8 11/14 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 26)

Daniel Hopfer (German, ca. 1470 - 1536)
The Virgin and Child with Saint Anne by a Portal
Etching (iron), plate bitten twice, on laid paper
Sheet (trimmed within platemark): 23 x 15.5 cm (9 1/16 x 6 1/8)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 27)

Daniel Hopfer (German, ca. 1470 - 1536)
Girolamo da Siena
Etching (iron) on laid paper
Sheet (trimmed to platemark): 22.4 x 15.7 cm (8 13/16 x 6 3/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 28)

Hieronymus Hopfer (German, active ca. 1520 - 1550 or after)
Erasmus of Rotterdam
Etching (iron) on laid paper
Platemark: 21.5 x 15.5 cm (8 7/16 x 6 1/8 in.); Sheet: 22 x 16 cm (8 11/16 x 6 5/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 29)

The Power of Women and Everyday Morality

Hans Burgkmair I (German, 1473 – 1531) and Jost de Negker (German, ca. 1485 - 1544)

The Lovers Surprised by Death, 1510

Chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in

   shades of red on laid paper (early state)

Sheet: 21.3 x 15.2 cm (8 3/8 x 6 in.)

National Gallery of Art, Washington, Rosenwald Collection

(cat. 30)

Hans Burgkmair I (German, 1473 - 1531)
Solomon's Idolatry, 1519
Woodcut on laid paper
Sheet: 12 x 9.5 cm (4 3/4 x 3 3/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 32)

Hans Burgkmair I (German, 1473 - 1531)
Samson and Delilah, 1519
Woodcut on laid paper
Sheet: 12.3 x 10 cm (4 13/16 x 3 15/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 33)

Hans Burgkmair I (German, 1473 - 1531)
Bathsheba at Her Bath, 1519
Woodcut on laid paper
Sheet: 11.9 x 9.5 cm (4 11/16 x 3 3/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 34)

Hans Burgkmair I (German, 1473 - 1531)
Mercury and Venus, ca. 1518-1520
Etching (iron) on laid paper
Sheet (trimmed to platemark): 18.3 x 13.4 cm (7 3/16 x 5 1/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 35)

Daniel Hopfer (German, ca. 1470 - 1536)
Woman and Attendant Surprised by Death
Etching (iron) with open bite or sulphur tint for tone, on laid paper
Sheet: 16 x 22.7cm (6 5/16 x 8 15/16 in.)
Lent by the Metropolitan Museum of Art, The Elisha Whittelsey Collection,
The Elisha Whittelsey Fund, 1951
(cat. 37)

Daniel Hopfer (German, ca. 1470 - 1536)
Soldier Embracing a Woman, ca. 1530
Etching (iron) on laid paper
Platemark: 22.4 x 15.4 cm (8 13/16 x 6 1/16 in.)
Sheet: 23.5 x 16.7 cm (9 1/4 x 6 9/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 38)

Hieronymus Hopfer (German, active ca. 1520 - 1550 or after)
(after Andrea Mantegna, Paduan, ca. 1431 - 1506)
Silenus
Etching (iron) on laid paper
Platemark: 15.6 x 22.4 cm (6 1/8 x 8 13/16 in.); Sheet: 17.9 x 24 cm (7 1/16 x 9 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 39)

Christoph Bockstorfer (German, 1490 - 1553)
Allegory of "Pride Goeth Before Destruction...": A Gentleman and a  Lady on Horseback
Etching (iron) on laid paper
Sheet (trimmed to plate mark): 20.2 x 27.8 (7 15/16 x 10 15/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 40)

Hans Burgkmair I (German, 1473 - 1531)
The Fight in the Forest, ca. 1500/1503
Pen and black ink on laid paper
Overall: 21 x 28.6 cm (8 1/4 x 11 1/4 in.); Support: 26.7 x 35.7 cm (10 1/2 x 14 1/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 41)

Hans Burgkmair I (German, 1473 - 1531)
Joshua, David, and Judas Maccabaeus, from Heroes and Heroines, 1516
Woodcut on laid paper
Sheet (trimmed to image): 19.6 x 13.2 cm (7 11/16 x 5 3/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 42)

Hans Burgkmair I (German, 1473 - 1531)
Hester, Judith, and Jael, from Heroes and Heroines, 1516
Woodcut on laid paper
Image: 19 x 13.1 cm (7 1/2 x 5 3/16 in.); sheet: 21 x 13.8 (8 1/4 x 5 7/16)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 43)

Hans Burgkmair I (German, 1473 - 1531)
Hector, Alexander and Julius Caesar from Heroes and Heroines, 1516
Woodcut on laid paper
Sheet (trimmed to image): 19.7 x 13.3 cm (7 3/4 x 5 1/4 in.)
National Gallery of Art, Washington, Rosenwald Collection, 1944
(cat. 44)

Hans Burgkmair I (German, 1473 - 1531)
Lucretia, Veturia, and Virginia, from Heroes and Heroines, 1516
Woodcut on laid paper
Sheet (trimmed to image): 19.3 x 13 cm (7 5/8 x 5 1/8 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 45)

Christoph Bockstorfer (German, 1490 - 1553)
The Death of Virginia, ca. 1525
Pen and black ink with gray, yellow, and green washes on laid paper
Overall: 43.2 x 33 cm (17 x 13 in.)
National Gallery of Art, Washington, Anonymous Gift
(cat. 46)

Daniel Hopfer (German, ca. 1470 - 1536)
Interior of the Church of Saint Magdalena with the Parable of the Offering of the Widow, ca. 1530
Etching (iron) with open biting on laid paper
Sheet (trimmed to platemark): 29 x 20.1 cm (11 7/16 x 7 15/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 47)

Daniel Hopfer (German, ca. 1470 - 1536)
Interior of the Church of Saint Katherine with the Parable of the Pharisee and the Publican, ca. 1530
Etching (iron) on laid paper
Sheet (trimmed to platemark): 28.4 x 19.7 cm (11 3/16 x 7 3/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 48)

Daniel Hopfer (German, ca. 1470 - 1536)
Interior of the Church of Saint Katherine with the Parable of the Mote and the Beam, ca. 1530
Etching (iron) with open biting on laid paper
Sheet (trimmed to platemark): 28.5 x 20.4 cm (11 1/4 x 8 1/16 in.)
Lent by the Metropolitan Museum of Art, Harris Brisbane Dick Fund
(cat. 49)

The Citizens and Daily Life of Augsburg

German 15th Century (Swabian School)
Study of a Knight in Armor, Holding a Halberd, ca. 1500
Pen and brown and black ink, point of the brush and black ink, and gray wash,heightened with white, on brown prepared paper (upper corners made up)
Overall: 28.8 x 12.2 cm (11 5/16 x 4 13/16 in.)
National Gallery of Art, Washington, Woodner Collection
(cat. 50)

Hans Holbein the Elder (German, ca. 1465 - 1524)
Portrait of a Woman, ca. 1508
Silverpoint, brush and black and brown ink, and black chalk heightened with white on white prepared paper overall
(Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.)
National Gallery of Art, Washington, Woodner Collection
(cat. 51)

Hans Schwarz (German, ca. 1492  - after 1532)
Conrad Peutinger, 1517/1518
Lead alloy
Overall (diameter): 8.7 cm (3 7/16 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 53)

Daniel Hopfer (German, ca. 1470 - 1536)
Kunz von der Rosen, ca. 1518
Etching (iron) possibly with drypoint on laid paper
Sheet (trimmed within platemark): 29.4 x 21.5 cm (11 9/16 x 8 7/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 55)

Hans Schwarz (German, ca. 1492  - after 1532)
Kunz von der Rosen, ca.1518
Bronze
Overall (diameter): 6.4 cm (2 1/2 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 56)

Jorg Breu I (German, ca. 1480 - 1537)
The Hay Harvest (June), in or before 1521
Pen and black ink with gray wash on laid paper
Overall (diameter): 23.6 cm (9 5/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 57)

Jorg Breu I (German, ca. 1480 - 1537)
The Wine Harvest (September), in or before 1521
Pen and black ink with gray wash on laid paper
Overall (diameter): 23.7 cm (9 5/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1979
(cat. 58)

German, 16th century (Augsburg)
Portrait of a Man Wearing a Hat with a Medallion, 1520/1540
Black, red, and yellow chalk on laid paper
Overall: 20.4 x 20.3 cm (8 1/16 x 8 in.)
National Gallery of Art, Washington, Woodner Collection
(cat. 59)

Friedrich Hagenauer (German, active ca. 1525 - 1546)
Conrad Peutinger, 1527
Lead
Overall (diameter): 7.1 cm (2 13/16 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 60)

Matthes Gebel (German, ca. 1500 - 1574)
Raimond Fugger, ca.1529
Lead alloy
Overall (diameter): 4.2 cm (1 5/8 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 61)

Hans Weiditz II  (German, 1500 or before - c. 1536), Marcus Tullius Cicero (author)
(Roman, 106 bce - 43 bce)
Standing Nude Female and An Armor and Metalwork Shop, from Marus Tullius Cicero's De Officiis, published Augsburg, 1531, by Heinrich Steiner
Book; woodcuts on laid paper
Page size: 30.1 x 20.2 cm (11 3/4 x 8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 62)

Hans Weiditz II (German, 1500 or before - ca. 1536), Francesco Petrarch (author)
(Italian, 1304 - 1374)
A Metal Shop and Painter's Studio from Francesco Petrarch's Von der Artzney bayder Glück, published 1532, by Heinrich Steiner
Book; woodcuts on laid paper
Overall (bk): 30.8 x 21 x 5.6 cm (12 1/8 x 8 1/4 x 2 3/16 in.)
National Gallery of Art, Washington, Anonymous Gift
(cats. 63, 64)

Christoph Weiditz the Elder (German, ca. 1500 - 1559), Paul Hector Mair (author)
(Augsburg, 1517 - 1579)
Patricians Dressed in Armor: Fugger and Schöner, from Paul Hector Mair's Bericht vnd anzeigen aller Herren Geschlecht der loblichen Staat Augsburg..., 1539
Book; woodcut on laid paper
Page size: 29.9 x 18.8 cm (11 1/2 x 7 3/8 in.)
National Gallery of Art Library, Washington, David K. E. Bruce Fund
(cat. 65)

Daniel Hopfer (German, ca. 1470 - 1536)
Three German Soldiers Armed with Halberds
Etching (iron) on laid paper
Sheet (trimmed to platemark): 8.7 x 13.2 cm (3 7/16 x 5 3/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 66)

Daniel Hopfer (German, ca. 1470 - 1536)
Three German Soldiers Armed with Halberds
Iron plate
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Fund
(added to exhibition; not in catalogue)

Joachim Deschler (German, ca. 1500 - 1571)
Hieronymus Paumgartner, 1553
Bronze
Overall (diameter): 6.5 cm (2 9/16 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 67)

Valentin Maler (German, ca. 1540  - 1603)
Jakob Fugger the Elder, ca. 1583/1584
Lead alloy
Overall (oval): 4.7 x 4.2 cm (1 7/8 x 1 5/8 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 68)

Hieronymus Hopfer (German, active ca. 1520 - 1550 or after)
Leopold Dick, ca.1520-1550
Etching on laid paper
Sheet: 22.7 x 15.7 cm (8 15/16 x 6 3/16 in.) (cut to platemark)
National Gallery of Art, Washington, Purchased as a gift of Dewayne and Faith Perry
(added to exhibition; not in catalogue)

Maximilian I: Imperial Portraiture, Symbols, and Projects

Hans Burgkmair I (German, 1473 - 1531)
Coat of Arms with a Single Eagle, ca. 1505
Woodcut on laid paper
Sheet (cut within platemark): 21 x 17 cm (8 1/4 x 6 11/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 69)

Hans Burgkmair I (German, 1473 - 1531)
The Imperial Eagle, 1507
Woodcut on laid paper
Image: 38.8 x 21.5 cm (15 1/4 x 8 7/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 70)

Hans Burgkmair I (German, 1473 - 1531)
Conrad Celtis, 1507
Woodcut on laid paper
Image: 38.8 x 21.5 cm (15 1/4 x 8 7/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 71)

Hans Burgkmair I (German, 1473 - 1531)
The Battle of Padua
Woodcut on vellum
Image: 21.4 x 19.3 cm (8 7/16 x 7 5/8 in.); sheet: 38.8 x 30.5 cm (15 1/4 x 12 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 72)

Hans Burgkmair I (German, 1473 - 1531)
Battle of the Foot Soldiers with Lances, from Weisskunig, ca. 1514-1516
Woodcut on laid paper
Sheet (trimmed to image): 22.2 x 19.7 cm (8 3/4 x 7 3/4 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund
(cat. 73)

Hans Burgkmair I (German, 1473 - 1531)
The Archbishop Blessing the Child after the Baptism, from Weisskunig, ca. 1514-1516
Woodcut on laid paper
Sheet (trimmed to image): 22.1 x 19.7 cm (8 11/16 x 7 3/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 74)

Leonhard Beck (German, ca. 1480 - 1542)
The White King's Skill in Armor and with the Long Pike, from Weisskunig, ca. 1514 -1516
Woodcut on laid paper
Sheet (trimmed to image): 21.9 x 19.6 cm (8 5/8 x 7 11/16 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund
(cat. 75)

Leonhard Beck (German, ca. 1480 - 1542)
The Alliance of the Pope, The Emperor, Spain, and Hungary, from Weisskunig,ca. 1514 - 1516
Woodcut on laid paper
Sheet (trimmed to image): 21.9 x 19.3 cm (8 5/8 x 7 5/8 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 76)

Leonhard Beck (German, ca. 1480 - 1542)
Executions and Pardoning at Bruges, from Weisskunig, ca. 1514 -1516
Woodcut on laid paper
Sheet (trimmed to image): 22.2 x 19.7 cm (8 3/4 x 7 3/4 in.)
National Gallery of Art, Washington, Gift of Dr. Paul J. Sachs
(cat. 77)

Albrecht Dürer (German, 1471 - 1528)
Masquerade Dance with Torches, from Freydal, ca. 1516
Woodcut on laid paper
Sheet (trimmed to image): 22.7 x 25 cm (8 15/16 x 9 13/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 78)

Leonhard Beck (German, ca. 1480 - 1542)
Saint Remigius of Rouen, from Habsburg Saints, 1516-1518
Woodcut on laid paper
Sheet (trimmed to image): 23.8 x 21.2 cm (9 3/8 x 8 3/3 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 79)

Leonhard Beck (German, ca. 1480 - 1542)
Saint Bilhelmus (William of Gellone), from Habsburg Saints, Augsburg 1516 -1518
Woodcut on laid paper
Image: 23.6 x 21.2 cm (9 5/16 x 8 3/8 in.); sheet: 25.5 x 21.9 9 15/16 x 8 5/5 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 80)

Hans Schaufelein (German, ca. 1480 - 1540)
Theuerdank on his Sickbed, from Theuerdank, published Augsburg, 1517
Book; woodcut on vellum
Image: 15.8 x 13.8 (6 1/4 x 5 3/8 in.)
Library of Congress, Washington, Rare Book and Special Collections Division,
Rosenwald Collection
(cat. 81)

Hans Burgkmair I (German, 1473 - 1531) and Jost de Negker (German, ca. 1485 - 1544)
Emperor Maximilian I on Horseback, 1508/1518
Chiaroscuro woodcut printed from 2 blocks: black line block and olive-green tone block on laid paper
Image: 32.5 x 22.7 cm (12 13/16 x 8 15/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 82)

Hans Burgkmair I (German, 1473 - 1531) and Jost de Negker (German, ca. 1485 - 1544)
Saint George on Horseback, 1508/1518
Chiaroscuro woodcut printed from 2 blocks: black line block and olive-green tone block on laid paper
Sheet: 32.5 x 23.1 cm (12 13/16 x 9 1/8 in.)
Lent by the Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1931
(cat. 83)

Albrecht Dürer (German, 1471 - 1528)
Emperor Maximilian I, ca. 1518
Woodcut on laid paper
Sheet (trimmed to image): 41.3 x 32.1 cm (16 1/4 x 12 5/8 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 84)

Albrecht Dürer (German, 1471 - 1528)
The Triumphal Chariot of Maximilian I (The Great Triumphal Car), 1522
Woodcut on eight joined pieces of laid paper
National Gallery of Art, Washington, Rosenwald Collection
(cat. 85)

Daniel Hopfer (German, ca. 1470 - 1536)
Emperor Maximilian I in the Guise of Saint George, ca. 1509/1510
Etching (iron) with open biting, plate bitten twice, on laid paper
Sheet (trimmed to plate mark): 22.7 x 15.7 cm (8 15/16 x 6 3/16 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund
(cat. 86)

Daniel Hopfer (German, ca. 1470 - 1536)
Saint George on Horseback Slaying the Dragon
Etching (iron), plate bitten twice, on laid paper
Sheet (trimmed to plate mark): 22.6 x 15.4 cm (8 7/8 x 6 1/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 87)

Ornament in Augsburg; and the Habsburg Imperial Legacy and Charles V

Albrecht Dürer (German, 1471 - 1528)
The Crucifixion (The Sword Pommel of Maximilian), ca. 1518
Engraving on laid paper
Diameter (trimmed to platemark): 3.81 cm (1 1/2 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 89)

Daniel Hopfer (German, ca. 1470 - 1536)
Ornament for Dagger Sheath with Hopfer-Style Ground
Etching (iron) with open biting on laid paper
Platemark: 13.6 x 9 cm (5 3/8 x 3 9/16); sheet: 23.3 x 15.6 cm (9 3/16 x 6 1/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 90)

Daniel Hopfer (German, ca. 1470 - 1536)
Ornament with Sirens and Ornament with Genius
Etching (iron) with open bite or sulphur tint for tone on laid paper
Sheet (trimmed to platemark): 14.8 x 8.8 cm (5 13/16 x 3 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 91)

Daniel Hopfer (German, ca. 1470 - 1536)
Reliquary with Pietà
Etching (iron), plate bitten twice, on laid paper
Sheet (trimmed to platemark): 22.6 x 15.6 cm (8 7/8 x 6 1/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 93)

Hieronymous Hopfer (German, active ca. 1520 - 1550 or after)
Three Vessels
Etching (iron)
Sheet: 28.9 x 21.6 cm (11 3/8 x 8 1/2 in.)
Lent by the Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1928
(cat. 94)

German, probably Augsburg, 16th Century
Portions of a Field Armor, 1524
Etched Steel
Variable dimensions
Lent by the Metropolitan Museum of Art, Bashford Dean Memorial Collection, Bequest of Bashford Dean, 1928
(substitution for cat. 92)

Giovanni Maria Pomedelli (Veronese, 1478/1479 - 1537)
Emperor Charles V, 1516/1519
Bronze
Overall (diameter): 3.4 cm (1 5/16 in.); gross weight: 16 gr
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 95)

Daniel Hopfer (German, ca. 1470 - 1536)
Emperor Charles V, ca. 1519
Etching (iron) with open biting, plate bitten twice, on laid paper
Sheet (trimmed within platemark): 22.8 x 15.8 cm (9 x 6 1/4 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 96)

Hieronymus Hopfer (German, active ca. 1520 - 1550 or after) and Daniel Hopfe
(German, ca. 1470 - 1536)
Emperor Charles V, 1520 (1521?)
Etching (iron) with open biting on laid paper
Sheet (trimmed within plate mark): 22.4 x 15.7 cm (8 13/16 x 6 3/16 in.)
National Gallery of Art, Washington, Rosenwald Collection
(cat. 97)

Daniel Hopfer (German, ca. 1470 - 1536) and Hieronymus Hopfer
(German, active ca. 1520 - 1550 or after)
Emperor Charles V, 1520 (1521?)
Hand-colored etching (iron) with open biting on laid paper
National Gallery of Art, Washington, Purchased as the Gift of Ladislaus and
Beatrix von Hoffman, 2011
(cat. 98)

Matthes Gebel (German, ca. 1500 - 1574)
Emperor Charles V, 1530
Silver
Overall (diameter): 3.7 cm (1 7/16 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 99)

Christoph Bockstorfer (German, 1490 - 1553)
Emperors Charles V and Ferdinand I, ca. 1531
Etching (iron) on laid paper
Sheet (trimmed to plate mark): 19.9 x 27.6 cm (7 13/16 x 10 7/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 100)

Hieronymus Hopfer (German, active ca. 1520 - 1550 or after)
(after Giovanni Battista Palumba, Italian, active first quarter 16th century)
Personification of Rome
Etching (iron) on laid paper
Platemark: 22.6 x 16 cm (8 7/8 x 6 5/16 in.); sheet: 22.9 x 16.5 cm (9 x 6 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
(cat. 101)

Christoph Weiditz the Elder (German, ca. 1500 - 1559)
Francisco Covo (Deloscopos), 1531
Lead
Overall (diameter): 6 cm (2 3/8 in.)
National Gallery of Art, Washington, Samuel H. Kress Collection
(cat. 102)

Posted by Office of Communications Tuesday, June 24, 2014